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Cronenberg怎么拍這么無聊

仗義每多屠狗輩，負(fù)心多是讀書人?！铩铩铩?/div>

黑澤明在畫面構(gòu)圖平衡和銀幕空間深度構(gòu)建已登峰造極，每一幅畫面即使是運(yùn)動畫面，人物出畫／入畫、橫向或縱向移動絲毫不會打破視覺平衡，椿三十郎和九名武士處于同一畫面時，人物站位角度和前景遮擋后景人物的距離和面積無不恰到好處，十個人物來回穿梭也能保證主次分明和畫面協(xié)調(diào)美，神一樣的調(diào)度。

朦朦朧朧的曖昧什么的最喜歡了……

“You have your private life I know. But no one’s private life runs smoothly. There are more harmony in films than in life. No traffic jams, no dead periods. Films keep going on you know, like trains in the night. People like you, like me are only happy in our work, making films.”