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六十年代英國社會(huì)的巨大變革被導(dǎo)演放進(jìn)了這個(gè)簡單的故事，表達(dá)整個(gè)時(shí)代的迷惘與反思，導(dǎo)演用直指人心的悲痛代替空洞無物的情緒渲染。就是這么一部樸實(shí)無華的電影，卻被公認(rèn)為60年代以來最重要的英國電影?？?洛奇用他坦誠的鏡頭語言超越了與絕望相伴的痛苦，卻銘刻了那整整一代人的悲傷。

美劇也可以拍成這個(gè)樣子？開了個(gè)局不會(huì)圓場了，最后變成復(fù)仇？宗教，政治都被玩弄于股掌？呵呵，還經(jīng)常讓我看斷片

特別真實(shí)的小孩子 像精靈一樣 忘不了這油畫般的畫面 綠色真美

靜姐的靜距離還是很不錯(cuò)的~

前面太無厘頭了，后面終于進(jìn)入狀態(tài)開始吸引人了。At beginning, the hero found himself to be a loser after he accidently knew that his wife has an affair with his boss, then he became a desperate man with nothing to lose and got involved in a series of radiculous events including robbing his own firm as a revenge to his boss. However, he got survived from the hell when he knew that the affair was not true and his wife still loved him, then he needed to get his life back to normal. The feeling is so subtle that it rules your life completely. Your status being in paradise or hell depends on your feeling, of course a rational feeling. I am master of fate and ruler of destiny, from the black man.